Playing to old anxieties about an insurgency that ended more than three decades ago, Malaysia’s government has moved to suppress two books on the history of a communist guerrilla movement.

One of Taiwan’s few data journalism outlets has quietly closed, raising questions about whether the form can survive in a small-market media environment.

Across China, student publications are disappearing, one deleted account at a time.

Hong Kong photojournalist Tyrone Siu has won a regional World Press Photo award for an image capturing a man’s final moments of contact with his wife, who would perish in Hong Kong’s deadliest fire in nearly eight decades.

Mango TV’s new AI-generated children’s series packages ancient artifacts, time travel, and cultural confidence into one tidy streaming package.

Days after an official social media account attacked the flawless face of a hit drama’s battlefield general, regulators held a “wholesome aesthetics” meeting — though the connection remains circumstantial.

As the history of the territory is revamped in a museum exhibit, deeply divergent press coverage of the changes reveals the fundamental values at stake.

As Hong Kong’s remaining independent media face intimidation and surveillance, their peers in the city’s diminished press corps see a story that can’t be told.

At an awards ceremony where independent outlets once competed on equal terms with state-run media, a Chinese Communist Party-controlled outlet has swept the field. It is a sign not of a media rising, but of a press space contracting.