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Women’s Day, Minus the Women 

On March 2, just days before China’s annual parliamentary sessions opened in Beijing, the country’s state-run women’s organization held its annual ceremony to mark International Women’s Day — a holiday recognized by the United Nations in 1977 as a global call for women’s rights and equal participation in public life. But the organization’s vision of the limits of that participation was clear from the start, as its chair, Chen Yiqin (谌贻琴), a senior government official, called on women to follow the party, contribute to China’s next five-year development plan, and promote family civilization to “consolidate the family foundation for Chinese-style modernization.”

It was the beginning of a barrage of official messaging in which women were not subjects but instruments of state policy. China Women’s News (中国妇女报), the organization’s official newspaper, ran its usual coverage. Model workers were honored, and speeches made about the “wisdom and strength” of women in the service of national rejuvenation. On March 8, International Women’s Day itself, the paper ran a full-page spread titled “THIS Is Our Women’s Day!”

The question of who exactly was subject to that “our” had in fact been settled three days earlier by China’s premier, Li Qiang (李强), as he delivered his annual policy address to the country’s National People’s Congress. He pledged to build a “fertility-friendly society” (生育友好型社会), offer housing support for first-time married couples, extend parental leave, and expand childcare subsidies, which he said had already reached more than 30 million infants. With births plunging to a record low of 7.92 million in 2025, the premier’s message was clear: women have a primary role in resolving China’s demographic emergency — and the state will pay for their cooperation in these goals.

The price of that bargain, so familiar to women around the world, is silence and marginalization. And just as the state prepared its empty message of female empowerment, this was enforced with precision. In the days leading up to International Women’s Day, authorities shut down at least 10 WeChat public accounts that had built communities around the real concerns of women. Taken together, those accounts offered a different vision of participation — one the party-state was not prepared to tolerate.

These were not fringe voices. For years, Chinese women have been telling a different story — on WeChat, on Weibo, on Xiaohongshu — about why they do not want to marry, do not want children, or simply do not see motherhood as the defining purpose of their lives. But for a state bent on managing demographic trends, these voices are regarded as a form of contamination. 

Weeks ahead of International Women’s Day, as the Cyberspace Administration of China (CAC) launched its latest periodic “Clear and Bright” (清朗) campaign, social media platforms were ordered to purge not just the usual content deemed harmful to the state but also speech that “promotes not marrying and not having children” (鼓吹不婚不育) or that “provokes gender antagonism” (挑动性别对立) — language that has tended in recent years to radicalize feminism in all of its forms. 

Platforms were ordered to set up dedicated task forces and proactively purge content from front pages, trending lists, and comment sections. Then, on the evening of March 6, as the Women’s Federation held a reception celebrating International Women’s Day with foreign dignitaries, the purge directly impacted feminist and sexual minority communities online.

From the evening of March 6 into the early hours of March 7, at least ten WeChat public accounts focused on gender rights vanished one after another. Among them were “Xiaowusheng Psychology” (小悟生心理), which writes about the mental health of marginalized communities; “Dongxia Primavera” (冬廈Primavera), a platform discussing feminism and left-wing youth issues; the Gen Z feminist account “Letters from Two Stranger Girls” (两个陌生女生的来信); “HerStoryNow,” a grassroots feminist community space; “Free NORA” (自由娜拉NORA), which advocates for victims of human trafficking and people with mental disabilities; “Belonging Space,” a counseling and community platform; “Ai Dasun”(艾大荀) which focuses on public welfare, science popularization, and related social issues; “Pride Voice” (骄傲声浪), renamed from the once prominent LGBTQ Weibo account “Voice of Comrades” (同志之声); and “Exile LandAi Dasun” (流放地), which publishes essays, fiction, and personal narratives by sexual minorities.

Screenshots of four WeChat accounts banned around International Women’s Day, March 2026: “Free NORA” (自由娜拉); “Dongxia Primavera” (冬厦); “Belonging Space”; and “Ai Daxun” (艾大荀).

For those who follow China’s online feminist communities, this playbook from the authorities is all too familiar. Nearly 10 years ago, on March 6, 2018, “Feminist Voices” (女权之声), the country’s most influential feminist account with a following of at least 180,000 on Weibo and 70,000 on WeChat, published an article titled “The Ultimate Women’s Day Celebration Guide” (最强妇女节过节指南) — which called on women to mark the holiday not with shopping discounts or the flattery of being called a “goddess,” but by joining a campus anti-sexual harassment campaign that had grown out of China’s nascent #MeToo movement.

Two days later, on March 8, as official outlets like China Women’s News ran their usual tributes to International Women’s Day that put the achievements of the Party first, “Feminist Voices” was permanently banned. Similar waves of enforcement against accounts devoted to women have followed nearly every year since. In an article this year called “Multiple Gender Equality Accounts ‘Arranged’ Ahead of International Women’s Day,” writer and independent commentator Li Yuchen (李宇琛) observed that the early-March crackdown has become almost a form of ritual. “This operation has already formed a stable, institutionalized rhythm,” he wrote. 

The action this year has not been limited to public accounts. Individual voices on social media have also been targeted. In February, Xinjiang stand-up comedian Xiao Pa (小帕) became another casualty. On February 5, she posted on Weibo: “I’ve been lying at home with a fever for two days. I was thinking that if I had a husband and children, I’d probably have to force myself up against the wall right now to cook for them.” Her account was quickly muted and remains restricted.

China Media Group poster for “Flowers Blooming for the Nation” (花中开国 ), a Women’s Day special programme airing on March 8, 2024, on CCTV’s General Arts Channel and the CMG Video platform.

Three weeks later, the platform’s official moderator account “Weiboxia” (围脖侠) explained the reasons behind the closure. Xiao Pa, it said, had violated requirements of the CAC’s “Clear and Bright” campaign against content that “incites gender antagonism” and stokes “marriage fear” and “fertility anxiety.” Posts expressing support for the comedian were also quietly scrubbed from the platform.

Even caution has offered little protection. On March 7, author “Ai Daxun” (艾大荀), a public-welfare worker who writes about social work, women’s rights, and civil society, published a farewell essay after her WeChat account was pulled down. Called “Written at the Moment My Public Account Was Banned,” the post described the constant paranoia that prevails when one writes under tightening restrictions. 

In 2025, “Ai Daxun” had tried to organize an offline book club in Guangdong ahead of International Women’s Day, only to have it canceled two nights before the event. She never attempted such an event again, and said she had grown accustomed on a fundamental level to the atmosphere of self-censorship. She was someone who knew every sensitive keyword and every shifting red line on Chinese cyberspace. “I might even be the mildest among the accounts you follow that still track social issues,” she wrote. “But even so, my account was banned. I kept retreating and treading carefully, yet as the red lines kept tightening, there was still no way around them.”

Each year around March 8, the cycle repeats. Accounts disappear, keywords are scrubbed, and communities scatter and regroup elsewhere. For those trying to speak about gender, feminism, or women’s rights in China’s digital public sphere, the space left to speak grows smaller still.

Attention Hogs

News&Market (上下游新聞), a niche Taiwan media outlet focusing on agriculture and environmental issues since 2011, found itself embroiled in controversy over social media framing after posts on Facebook promoting its relatively balanced coverage of Taiwan’s first African swine fever outbreak in seven years triggered allegations of bias in favor of the opposition Kuomintang (KMT) party — and escalated into questions about its financial backing.

The controversy began when News&Market’s social media posts framed its outbreak coverage in ways critics saw as deflecting blame from KMT officials currently leading the local government in Taichung, where the outbreak was confirmed on October 21. One Facebook post asked: “Is Taichung really the outbreak’s source? The answer isn’t that simple.” While the underlying reporting examined systemic failures across both local and national governments — ranging from inadequate enforcement of food waste sterilization to gaps in veterinary care — the social media packaging triggered allegations of bias as it seemed to give Taichung officials a pass and lay blame instead on the national government, currently run by the Democratic Progressive Party (DPP). As skepticism grew online, users questioning the perceived slant began probing the outlet’s funding sources. In Taiwan’s divisive political environment, KMT alignment can often be perceived by “pan-green” DPP supporters as simply pro-China.

The outlet denied allegations of Chinese funding on October 30, saying its operations are supported by “small donations and market product sales.” Risking further speculation, however, it has so far not provided financial data or verifiable documentation of these revenue sources.

The case is a sobering illustration of how intentionally viral social media posts about the news — regardless of its actual reporting quality — can lead to an outbreak of questions about credibility, especially against a backdrop of political divisiveness.

Taiwan’s first African swine fever outbreak in seven years in late October sparked controversy over coverage by News&Market, a niche outlet focusing on agriculture. For illustrative purposes only. SOURCE: Pixabay.

Manufacturing Dissent

TikTok, often criticized in Western capitals as a vector for Chinese disinformation, has become a platform for distributing fake news about protests within China itself. Following the suspicious death of actor Yu Menglong (于朦朧) and what appeared to be a government cover-up in September, AI-generated videos falsely depicting mass anti-government rallies circulated widely on the platform, according to AFP’s fact-checking service. The terrifyingly realistic clips — betrayed at points only by slightly distorted faces and nonsensical Chinese characters — bore the watermark for Sora, the visual generation software from OpenAI. They originated from an account called “Team Taiwan Value” and garnered hundreds of thousands of views and comments.

Many users believed the fabricated protests were genuine, with commenters expressing solidarity. No evidence exists of actual large-scale rallies in China over Yu’s death, which Beijing police attributed to an accidental fall, prompting widespread questioning from fans, and related reports in Chinese-language outlets globally. The videos, including this one and this one, were taken down Tuesday afternoon.

SOURCE: AFP Factcheck.

Who Knows Taiwan?

Taiwanese YouTuber Chung Ming-hsuan (鍾明軒) sparked controversy in late March 2025 after suggesting on a podcast that “nobody knows Taiwan” abroad and that he therefore must resort to explaining himself through “Chinese culture” (中華文化) to allow foreigners to relate. Given the social, political — and often highly personal — debates in Taiwan about identity vis-à-vis a China that aggressively asserts its sovereignty over the island, Chung’s comments naturally reverberated. Fellow content creator Ray Du (阿滴) countered on Threads that 80 percent of foreigners he met when traveling overseas recognized Taiwan and understood when he identified himself as Taiwanese. This led to accusations that Du was “bullying” Chung, who claimed his words were taken out of context. With the usual appetite for drama, Taiwanese media waded in, unpacking the raucous back and forth.

Ceylon (錫蘭), a Belgian-Chinese YouTuber popular in Taiwan, initially criticized Du but later apologized after speaking with him directly about the misunderstanding. Those who can stomach rapid-fire influencer commentary can try out the related video below from another YouTuber, History Bro (歷史哥).